Nothing Happened in Birmingham
I almost just want to leave that
title alone as the whole text of this vignette.
The drive from Roanoke was smooth and efficient. I stayed in a Ramada Inn. I tried to go out on the town, but only found
a place to have a dinner consisting of appetizers (buffalo chicken tenders as I
recall) and a beer or two. Then went
back to the hotel and went to sleep. The
next morning I woke up and went into the lobby to use the computer that had
internet, and I booked the Crowne Plaza Hotel in New Orleans for that
night. The room rate was only $99, so I
figured why not live it up for once. It
would not be too long of a drive, and I got an early start.
Hyperstimulation
A
beautiful scene involving Ashleigh—one of those few times when a dream is able
to lift the dreamer out of their despicable daily existence and into a heavenly
construct. There were many other
parts—like purchasing weed from Sam (a different one, who no longer deals in
that trade) to share with Aaron (who was always underfunded throughout college
and who never bought weed and who I smoked up dozens upon dozens of
times—always happily as he was one of the best people to get stoned with), who
split the cost 50/50 this time. But in
particular, the scene with Ashleigh, who only appeared once or twice in a rare,
brilliant flash, but who provided the epiphany of the experience. She had constructed an artwork outside of the
record store Other Music in New York, except in this case Other Music had been
transferred to an alley across the street from the Reckless Records in the
Lakeview location in Chicago. She had
constructed an artwork that appeared to be a cryptogram, but one that I could
read because it had my name spelled out in various letters across it, which
provided some sort of key to solving the puzzle, unlocking the mystery. She disappeared as quickly as she floated
through the atmosphere, and as I looked up at the piece, deciphering its
message, two boys walked past me, exiting the alley and heading to the record
store. They told me that Ashleigh was
hyperstimulated, and not necessarily interested in me physically. Though this message may sound like something
of a letdown, it gave me great comfort.
It also gave me great comfort to see that she had designed an artwork
clearly directed at me.
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